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(See also: our official weekly playlists as reported to CMJ)

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Show Time Played Artist Title Album Record Label
Robot Pasta, with . S
6:30 PM unknown maniacs are loose (trailer) mondo movie music big beat
6:24 PM the residents would we be alive? intermission esg
6:23 PM brian eno dead finks don't talk/some of them are old/here come the warm jets here come the warm jets virgin
6:09 PM Dustin Wong & Takako Minekawa pastel ice date savage imagination thrill jockey
6:05 PM we reset melody 12" wonder wet records
5:51 PM john cage branches (for amplified plant materials) the works for percussion vol. 3 mode
5:47 PM ennio morricone il fantisma di wanda A Quiet Place in the Country (Soundtrack) The Omni Recording Corporation
5:46 PM psychedelic furs alice's house mirror moves columbia
5:43 PM portishead we carry on 3 mercury
5:40 PM new order blue monday 88 the best of new order qwest
5:40 PM aine o'dwyer mass of the rosary ring music for church cleaners vol. I & II MIE Music
5:24 PM emy jackson & smashmen namida no heart nippon girls 2 ace/big beat
5:16 PM william onyeabor the way to win your love body & soul luaka bop
5:16 PM delia derbyshire robot pasta love theme bbc radiophonic bbc/castle
5:04 PM Flossie & The Unicorns Free Guitar Lessons for Animals LMNOP Rhinestone Records
Nothin' But the Blues, with .

Sitting in today for Jerry is Marvin. I'd like to dedicate this entire show to Adriana D'Auria, my incredible wife. How Many More Years goes out to Cheyenne.

4:55 PM Laura Rain and The Caesars Take Me To The River
4:51 PM Selwyn Birchwood Overworked and Underpaid don't call no ambulance Alligator Records
4:45 PM George Bedard & The Kingpins The Only Thing Further On
4:39 PM Sunday Wilde More Than A Bit Crazy Blues Women International - Hopson Sessions
4:34 PM Count Basie and His Orchestra Every Day I Have The Blues Verve
4:26 PM Son House My Black Mama - Part II selections from The Rise & Fall of Paramount Volume Two (1928-32) Third Man/Revenant
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WCBN-FM: providing educational, adventurous and diverse Freeform radio to both the University of Michigan and the city of Ann Arbor, educating DJs and listeners on all kinds of music and perspectives outside of the mainstream, since 1972.
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