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(See also: our official weekly playlists as reported to CMJ)

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Show Time Played Artist Title Album Record Label
Groovasaurus, with .

Notes:
mick here with ruadhan

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9:14 PM kid creole and the coconuts darrio off the coast of me antilles
9:02 PM chris farlowe think the immediate singles story immediate
8:57 PM arturo o'farrill they came the offense of the drum motema
8:56 PM the bad plus epistolary echoes inevitable western (NEW) okeh
8:36 PM cold specks (REQ) let loose the dogs neuroplasticity broken heart
8:34 PM porcupine tree the blind house the incident roadrunner
8:30 PM cold specks bodies at bay neuroplasticity broken heart
8:20 PM the cambodian space project whiskey cambodia the rough guide to psychedelic cambodia rough guides
8:13 PM sensorium saxophone orchestra cloud eleven cloud eleven living records
8:05 PM graham bond organisation oh baby the sound of 65 repertoire
Yazoo City Calling, with . 7:56 PM Ma Rainey Stack O Lee Blues (1926)
7:55 PM W.C. Handy's Memphis Blues Band St. Louis Blues (1922)
7:48 PM Jabbo Smith Croonin' The Blues (1929)
7:48 PM The Hokum Boys St. James Infirmary Blues (1939)
7:48 PM Blind Boy Fuller Walkin My Troubles Away (1936)
7:47 PM Frank Stokes It's A Good Thing (1928)
7:38 PM Big Bill Broonzy I Can't Be Satisfied (1930)
7:33 PM Joe McCoy You Know You Done Me Wrong (1932)
7:29 PM George Carter Weeping Willow Blues (1929)
7:26 PM Gitfiddle Jim Rainey Night Blues (1930)
7:24 PM Ishman Bracey Woman Woman Blues (1929)
7:21 PM "Mooch" Richardson T And T Blues (1928)
7:15 PM Alfred Lewis Friday Moan Blues (1930)
7:13 PM Lonnie Coleman Old Rock Island Blues (1929)
7:12 PM Gus Cannon as Banjo Joe Madison Street Rag (1927)
7:08 PM T.C. Johnson & Tom "Blue Coat" Nelson G. Burns Is Gonna Rise Again (1928)
7:05 PM Coley Jones The Elder He's My Man (1929)
7:05 PM Dutch Coleman and Red Whitehead Booneville Stomp (1928)
Freeform, with Tyler C. 5:58 PM tomorrowland people mover 12"
5:58 PM tomorrowland people mover 12"
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WCBN-FM: providing educational, adventurous and diverse Freeform radio to both the University of Michigan and the city of Ann Arbor, educating DJs and listeners on all kinds of music and perspectives outside of the mainstream, since 1972.
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